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REVIEW - Albert Nobbs

Apr 2012
19
Iím delighted that Glenn Close and Janet McTeer have earned Oscar nominations for their work in this striking and memorable film, but it would be a shame if all people talked about were their performances, great as they are. is a first-rate film in every respect.

This should come as no surprise to anyone who has followed the work of director Rodrigo Garcia, one of the most talented and underrated filmmakers working today.

Albert Nobbs takes us back in time to the late 19th century, and a shabby-genteel residential hotel in Dublin. The atmosphere is ripe, as the establishment is populated by colorful characters, including the self-important proprietress (Pauline Collins), a well-mannered if alcoholic doctor-in-residence (Brendan Gleeson) and various servants, including the very proper butler Mr. Nobbs. Albert is conscientious but quiet, and keeps to himself: thatís because he is, in fact, a woman.

Over the course of the film we discover how and why an impoverished girl decided that her best chance of survival was to masquerade as a man.

Matthew Mungleís makeup design for Glenn Close is extraordinarily subtle. The actressí performance is perfectly in tune with her character, tightly controlled and completely credible.

The supporting cast is perfectly chosen. Mia Wasikowska is just right as the young, flirtatious housemaid whoís hoping to be swept off her feet by a dashing, wealthy hotel guest. Instead she falls in with a rough young fellow (Aaron Johnson) who joins the staff and exploits her, as well as Nobbs. But itís the great stage actress Janet McTeer who turns the movie on its ear in a daring and difficult characterization that I choose not to describe, in the hope that you havenít had all of its surprises revealed to you elsewhere.

Albert Nobbs was made on a tight budget, but it doesnít show. Patrizia von Brandensteinís pleasing production design focuses on the hotel and its surrounding neighborhood and never calls attention to itself. One can almost smell the odors of working-class Dublin in the Victorian era.

 

Review taken from www.indiewire.com






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